Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 49
... observations are all obvious . Their exactitude cannot be denied . Let us , however , repeat that they are founded ... observation and analysis of greater subtlety reveal that such judgements follow instead of preceding the affirmation ...
... observations are all obvious . Their exactitude cannot be denied . Let us , however , repeat that they are founded ... observation and analysis of greater subtlety reveal that such judgements follow instead of preceding the affirmation ...
Pagina 157
... observations that were made as to the methods of the different artists , in the analogies between painting and poetry as expressed in the sayings attri- buted to Simonides and Sophocles ; or , finally , in the appearance of that word ...
... observations that were made as to the methods of the different artists , in the analogies between painting and poetry as expressed in the sayings attri- buted to Simonides and Sophocles ; or , finally , in the appearance of that word ...
Pagina 433
... observation already made by Montaigne : indeed he was perhaps inspired by Montaigne , although he does not mention ... observations , Du Marsais ends by himself becoming confused and defines figures as manners of speech differing from ...
... observation already made by Montaigne : indeed he was perhaps inspired by Montaigne , although he does not mention ... observations , Du Marsais ends by himself becoming confused and defines figures as manners of speech differing from ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Ęsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity ęsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers