Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 62
Pagina 353
... principle by asserting that all other characters ( order , harmony , proportion , symmetry , simplicity , unity and variety ) have significance only by their subordination to the principle of expression . In opposition to Malaspina's ...
... principle by asserting that all other characters ( order , harmony , proportion , symmetry , simplicity , unity and variety ) have significance only by their subordination to the principle of expression . In opposition to Malaspina's ...
Pagina 456
... principle of indifference and convenience , and remarks that " the classification of the arts must be regarded as the real touchstone , the real differential test of the scientific value of an æsthetic system ; for on this point all ...
... principle of indifference and convenience , and remarks that " the classification of the arts must be regarded as the real touchstone , the real differential test of the scientific value of an æsthetic system ; for on this point all ...
Pagina 457
... principle itself to keep the principle and deny the need for a classification , as Lotze did , was obviously inconsistent . But not a single æsthetician has ever re - examined or investigated the scientific foundation of the ...
... principle itself to keep the principle and deny the need for a classification , as Lotze did , was obviously inconsistent . But not a single æsthetician has ever re - examined or investigated the scientific foundation of the ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity æsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers