Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 4
... reality only , that is to say , that it could have perceptions of nothing but the real . But since knowledge of reality is based upon the distinction between real images and unreal images , and since this distinction does not at the ...
... reality only , that is to say , that it could have perceptions of nothing but the real . But since knowledge of reality is based upon the distinction between real images and unreal images , and since this distinction does not at the ...
Pagina 296
... reality ; by its means we are capable of apprehending objects higher than those of common cognition and of recognizing in them the idea itself as real also , in art , it is the faculty of transforming the idea into reality . " It ...
... reality ; by its means we are capable of apprehending objects higher than those of common cognition and of recognizing in them the idea itself as real also , in art , it is the faculty of transforming the idea into reality . " It ...
Pagina 320
Benedetto Croce. Independence of art . towards representation of natural reality . An artist must not fall into the abstractness of the type or into the unmeaningness of empirical reality.1 If in flower - paint- ing it is necessary to ...
Benedetto Croce. Independence of art . towards representation of natural reality . An artist must not fall into the abstractness of the type or into the unmeaningness of empirical reality.1 If in flower - paint- ing it is necessary to ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity æsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers