Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 50
Pagina 7
... representation . not yet intellectual concept : the representation or image . What is the difference between their representation or image and our intuitive knowledge ? Everything and nothing for " representation ” is a very equivocal ...
... representation . not yet intellectual concept : the representation or image . What is the difference between their representation or image and our intuitive knowledge ? Everything and nothing for " representation ” is a very equivocal ...
Pagina 8
... representation , from that which is inferior to it the spiritual fact from the mechanical , passive , natural fact . Every true intuition or representation is also expression . That which does not objectify itself in expression is not ...
... representation , from that which is inferior to it the spiritual fact from the mechanical , passive , natural fact . Every true intuition or representation is also expression . That which does not objectify itself in expression is not ...
Pagina 275
... representation conjoined with such truthful representation of particulars as to be unable to find for it any expression that may mark a determinate concept , thereby endowing the given concept with something of the ineffable ; a feeling ...
... representation conjoined with such truthful representation of particulars as to be unable to find for it any expression that may mark a determinate concept , thereby endowing the given concept with something of the ineffable ; a feeling ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Ęsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity ęsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers