Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 206
... sense or instinct for the beautiful ; a sense of order and proportion identical with moral sense and , with its preconceptions or presentations , anticipating the recognition of reason . Bodies , spirits , God are the three degrees of ...
... sense or instinct for the beautiful ; a sense of order and proportion identical with moral sense and , with its preconceptions or presentations , anticipating the recognition of reason . Bodies , spirits , God are the three degrees of ...
Pagina 373
... sense of touch . It was a pity , the latter had written , that the pleasures of this sense were so difficult to attain ; since " to touch the back of the Resting Hercules and the sinuous limbs of the Venus of Melos or the Barberini Faun ...
... sense of touch . It was a pity , the latter had written , that the pleasures of this sense were so difficult to attain ; since " to touch the back of the Resting Hercules and the sinuous limbs of the Venus of Melos or the Barberini Faun ...
Pagina 409
... sense ) , symbolic , typical , individual : 1 and into his inquiries he introduces , quite unnecessarily , the concepts of infusion of personality and of play . In con- nexion with the latter he remarks that " internal imitation is the ...
... sense ) , symbolic , typical , individual : 1 and into his inquiries he introduces , quite unnecessarily , the concepts of infusion of personality and of play . In con- nexion with the latter he remarks that " internal imitation is the ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity æsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers