Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
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Pagina 94
... side , and the pleasure and pain which are , as it were , the practical echo of æsthetic value and disvalue , of the beautiful and of the ugly . But this practical side of the aesthetic activity has in its turn a physical or ...
... side , and the pleasure and pain which are , as it were , the practical echo of æsthetic value and disvalue , of the beautiful and of the ugly . But this practical side of the aesthetic activity has in its turn a physical or ...
Pagina 231
... side to the vast Renaissance reaction against formal- ism and scholastic verbalism , which , beginning with the reaffirmation of experience and sensation ( Telesio , Cam- panella , Galileo , Bacon ) , was bound to go on by reassert- ing ...
... side to the vast Renaissance reaction against formal- ism and scholastic verbalism , which , beginning with the reaffirmation of experience and sensation ( Telesio , Cam- panella , Galileo , Bacon ) , was bound to go on by reassert- ing ...
Pagina 418
... side by side the most inconsistent propositions . He welcomes even the æsthetic law of the golden section , and applies it to tragedy ; the longer segment of the line is the tragic hero ; the punishment which overtakes him ( the entire ...
... side by side the most inconsistent propositions . He welcomes even the æsthetic law of the golden section , and applies it to tragedy ; the longer segment of the line is the tragic hero ; the punishment which overtakes him ( the entire ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity æsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers