Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina xvii
... theory of literary form - Concept of ornament - Classes of ornament— The concept of the Fitting - The theory of ornament in the Middle Ages and Renaissance - Reductio ad absurdum in the seventeenth century - Polemic concerning the theory ...
... theory of literary form - Concept of ornament - Classes of ornament— The concept of the Fitting - The theory of ornament in the Middle Ages and Renaissance - Reductio ad absurdum in the seventeenth century - Polemic concerning the theory ...
Pagina 113
Benedetto Croce. be divided into groups , which may be entitled theories Technical of the arts . Thus arises a theory of Architecture , com- different arts . theories of the prising mechanical laws , information relating to the weight or ...
Benedetto Croce. be divided into groups , which may be entitled theories Technical of the arts . Thus arises a theory of Architecture , com- different arts . theories of the prising mechanical laws , information relating to the weight or ...
Pagina 144
... theory by German linguists ) , the theory of associa- tion or convention appeared . This is liable to the same objection which destroyed æsthetic associationism in general speech is unity , not multiplicity of images , and multiplicity ...
... theory by German linguists ) , the theory of associa- tion or convention appeared . This is liable to the same objection which destroyed æsthetic associationism in general speech is unity , not multiplicity of images , and multiplicity ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity æsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers