Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 102
... tion from arising . How ? by simply making the destina- tion of the object which serves a practical end enter as material into his æsthetic intuition and externalization . He will not need to add anything to the object , in order to ...
... tion from arising . How ? by simply making the destina- tion of the object which serves a practical end enter as material into his æsthetic intuition and externalization . He will not need to add anything to the object , in order to ...
Pagina 116
... tion and scenic effects and all the other things together that we have mentioned are more powerful than a simple reading or a simple outline of pen or pencil ; because each of those facts or groups of facts has , so to say , a different ...
... tion and scenic effects and all the other things together that we have mentioned are more powerful than a simple reading or a simple outline of pen or pencil ; because each of those facts or groups of facts has , so to say , a different ...
Pagina 320
... tion no less than in its physical . Every human face contains elements of disfigurement ( Verbildung ) , but it has also something by which it is a determinate modifica- tion of human nature ; this does not appear openly , but a ...
... tion no less than in its physical . Every human face contains elements of disfigurement ( Verbildung ) , but it has also something by which it is a determinate modifica- tion of human nature ; this does not appear openly , but a ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity æsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers