Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 79
... ugly is unsuccessful expression . The ugly , and The paradox is true , for works of art that are failures , the elements of that the beautiful presents itself as unity , the ugly as compose it . multiplicity . Hence we hear of merits in ...
... ugly is unsuccessful expression . The ugly , and The paradox is true , for works of art that are failures , the elements of that the beautiful presents itself as unity , the ugly as compose it . multiplicity . Hence we hear of merits in ...
Pagina 88
... ugly ( antipathetic ) could be admitted in artistic representation , and for what reasons , and in what ways . The answer was that the ugly is admissible , only when it can be overcome ; an unconquerable ugliness , such as the ...
... ugly ( antipathetic ) could be admitted in artistic representation , and for what reasons , and in what ways . The answer was that the ugly is admissible , only when it can be overcome ; an unconquerable ugliness , such as the ...
Pagina 378
... Ugly.1 " Although , " he writes , " the thought may disturb our minds , it must not be forgotten that were there no world of ugliness there could be no world of beauty ; for it is only when the Ugly stirs up empty abstract Beauty , that ...
... Ugly.1 " Although , " he writes , " the thought may disturb our minds , it must not be forgotten that were there no world of ugliness there could be no world of beauty ; for it is only when the Ugly stirs up empty abstract Beauty , that ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity æsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers