François Truffaut: InterviewsUniv. Press of Mississippi, 2008 - 150 pagine The French New Wave was one of the most seismic events in cinema's history, and among its contributors François Truffaut (1932-1984) was a key figure. Along with Jean-Luc Godard, Eric Rohmer, Claude Chabrol, Jacques Rivette, and others, Truffaut helped to form the New Wave's aesthetics and vision and was the first to conceptualize the auteur theory. He made films that reflected his three professed passions: a love of cinema, an interest in the difficulties of male-female relationships, and a fascination with the problems of children. As this collection of interviews progresses, we follow Truffaut's creative evolution almost as much as we follow his alter-ego Antoine Doinel (actor Jean-Pierre Léaud) through Truffaut's semi-autobiographical series that begins with his first feature The 400 Blows (1959) and ends with Love on the Run (1978). Truffaut, a perceptive film critic for Cahiers du Cinéma before becoming a director, was able to be objective about his own and other people's films. Always concerned with the process as well as the product of his profession, Truffaut maintained his role as critic and commentator throughout his career and remained equally as good an interviewer as an interviewee. |
Sommario
Crest of the New Wave | 3 |
Truffauts Bride Wore Black | 16 |
Life Style of Homo Cinematicus | 33 |
The Story of the Degradation of Love by Passion | 48 |
A Wild Boy Civilized | 75 |
Truffaut in London | 90 |
François T | 114 |
Twenty Years After | 128 |
How Truffauts The Last Metro Reflects Occupied Paris | 142 |
Altre edizioni - Visualizza tutto
Parole e frasi comuni
actors Adèle H admire American cinema American films Antoine Doinel asked audience Bazin Bed and Board Blows Bride Wore Black camera Cannes Catherine Deneuve character Charles Denner Cinémathèque Cinematography Citizen Kane Claude color critic Day for Night dialogue director English Girls example Fahrenheit 451 feel felt Festival filmmaker Films du Carrosse France François Truffaut François Truffaut Screenplay French gangsters Godard Hitchcock Hollywood idea improvise interview Isabelle Adjani Jean Jean-Louis Richard Jean-Pierre Kohut-Svelko Jean-Pierre Léaud Jeanne Moreau Jules and Jim kids L'Enfant Sauvage L'EXPRESS Last Metro Martine Barraqué Mississippi Mermaid movie Music Nestor Almendros Editing never novel Paris Piano Player play political Production Design Renoir Reprinted by permission Roché role Rossellini scene script Shoot the Piano shot Small Change Soft Skin Stolen Kisses Suzanne Schiffman talk things thought thriller tion told wanted Wild Child William Irish woman young