Æsthetic as Science of Expression and General LinguisticNonpareil Books, 1978 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 79
... beautiful presents itself as unity , the ugly as compose it . multiplicity . Hence we hear of merits in relation to works of art that are more or less failures , that is to say , of those parts of them that are beautiful , which is not ...
... beautiful presents itself as unity , the ugly as compose it . multiplicity . Hence we hear of merits in relation to works of art that are more or less failures , that is to say , of those parts of them that are beautiful , which is not ...
Pagina 108
... beautiful . If expression , if the beautiful , be indivisible , the physical fact on the contrary , in which it externalizes itself , can easily be divided and subdivided for example , a painted surface , into lines and colours , groups ...
... beautiful . If expression , if the beautiful , be indivisible , the physical fact on the contrary , in which it externalizes itself , can easily be divided and subdivided for example , a painted surface , into lines and colours , groups ...
Pagina 164
... beautiful things , but what the beautiful is ; that is to say , what it is that makes beautiful , not only a beautiful virgin , but also a beautiful mare , a beautiful lyre , a beautiful pot with two graceful ears of clay . Hippias and ...
... beautiful things , but what the beautiful is ; that is to say , what it is that makes beautiful , not only a beautiful virgin , but also a beautiful mare , a beautiful lyre , a beautiful pot with two graceful ears of clay . Hippias and ...
Altre edizioni - Visualizza tutto
Aesthetic As Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2018 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians appearance Aristotle artistic Asth Asthetik Baumgarten called century character cognitive colours comic concrete connexion consciousness criticism Critique Critique of Judgment Croce Danzel definition distinction doctrine element existence expression external faculty feeling figurative arts Francesco de Sanctis genius German Hartmann Hegel Hegelian Herbart Herbartian human idea ideal imagination imitation individual intellectual intuition intuitive knowledge Italian Italy judgement Kant knowledge language lectures Leibniz Leipzig Linguistic literary logical matter means metaphysical moral Naples natural beauty object perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychology pure reality reason reflexion representation Rhetoric Romanticism Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles Winckelmann words writers Zimmermann