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The treatment of the orations rhetorically and logically has been very much extended, with the hope of making the book more useful, not only for the study of Latin, but also for the study of rhetorical composition generally. The very numerous illustrations have not been inserted merely to make a picture-book, but to give the pupil some sense of the reality of the orations as a part of history. Teachers and others who take a more intelligent interest in these ancient memorials, will find much explanatory and critical comment in the numbered list of illustrations. A very large increase of introductory matter has seemed desirable in view of the growing interest in the study of the history of civilization.

The plan of the Roman Forum has been taken from the admirable plan in Middleton's Remains of Ancient Rome (Black, London, 1892), without alteration, except that some details have been omitted to make it simpler for young students.

As in the previous edition, the text of BAITER and KAYSER has been strictly followed, as a recent textus receptus, even where the revisers would personally prefer a different reading. They have, however, rejected the doubled i in the genitive of the second declension, which must have been unknown to Cicero.

It is hoped that the new and improved features will commend themselves to teachers and tend to improve Latin scholarship in this country.

Cambridge, Mass., July, 1896.

J. B. G.

G. L. K.



Arch. Zeit.


Baum. - Baumeister, Denkmäler des klas-
sischen Altertums. Munich, 1885-88.
Bernouilli.-J. J. Bernouilli, Römische
Ikonographie, 1882-94.

Brunn. - Denkmäler griechischer und
römischer Sculptur. Unter Leitung
von Heinrich Brunn herausg. von Fried-
rich Bruckmann. Munich, 1888-.
Brunn u. Arndt. Griechische und rö-
mische Porträts. Nach Auswahl und An-
ordnung von Heinrich Brunn und Paul
Arndt herausg. von Friedrich Bruck-
mann. Munich, 1891-.

H. Cohen, Description générale
des Monnaies de la République romaine.
Paris, 1857.


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De Clarac -Musée de Sculpture. Par

M. le Cte de Clarac. Paris, 1828-30.-

D'Escamps. — Henry D'Escamps, Galerie
des Marbres antiques du Musée Cam-
pana à Rome. 2o éd. Berlin, 1868.

von Falke. - Jacob von Falke, Hellas und

Rom. Stuttgart, 1878-80.

Head. A Guide to the Principal Gold and
Silver Coins of the Ancients. By Bar-
clay V. Head. Second edition. London
(British Museum), 1881.
Med. Illust.-M. M. Vecchi, Il Mediter-
raneo Illustrato. Florence, 1841.
Poole. -A Catalogue of the Greek Coins in
the British Museum. Edited by R. S.
Poole. London, 1873, etc.

Visconti.-Visconti, Iconographie Romaine.
Paris, 1817-24.

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Cicero. Bust in the Museum at Madrid. Bernouilli.
Plan of the Forum and adjacent buildings.
Middleton's Remains of Ancient Rome. .
Ruins of the Roman Forum. Photograph
The Forum (restored). von Falke.
Allegorical statue of the Tiber (showing also Romulus and Remus
with the wolf). In the Louvre, Paris. Brunn.

L. Cornelius Sulla.

Bust in the Vatican (Museo Chiaramonti). Un-



Founded on plan in

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Fanaraky d'Europe (entrance to the Black Sea by the Bosporus).
Laurens, Voyage en Turquie.

Mithridates VI. (from a coin). Head.

Tigranes, King of Armenia (from a coin). Head.
Site of Corinth (Acrocorinthus in background).


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Antiochus III., King of Syria (from a coin). Head..
Philip V., King of Macedonia (from a coin). Head..
View of Mt. Argæus in Cappadocia. Texier, Asie Mineure.
Lucullus. Bust in the Hermitage, St. Petersburg. Identification un-
certain (see Arch. Zeit., N. F., XXIII, 9 ff.). D'Escamps.
View near Cape Misenum. Med. Illust.

Ruins of the Port of Ostia. Photograph.

Stackelberg, La


View in Pamphylia (Port of Adalia). Lanckoronski, Les Villes de la
Pamphylie et de la Pisidie.

Galley. From the Præneste relief. Baumeister. .

Coin of Rhodes. Obverse: head of Helios (perhaps from the Colossus).
Reverse rose. Head.

Coin of Perseus (Perses). Head.

Roman sacrificial procession. Relief in the Galleria degli Uffizi, Flor-
ence. Brunn.

Ruins of the Temple of Jupiter Stator. Photograph.

The Mulvian Bridge. Photograph..

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L. Cornelius Lentulus. Bust in the Museum at Naples. Very un-

certain. Photograph.

Marcus Aurelius sacrificing in front of the Temple of Jupiter Capitoli-

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