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" Granicus, he is in a state of elevation above the reach of reason or of truth, and from the heights of empyrean poetry may despise the circumscriptions of terrestrial nature. "
The Edinburgh Magazine and Literary Miscellany - Pagina 102
1822
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The Monthly Review, Or, Literary Journal, Volume 33

1765 - 600 pagine
...There is no reafon why a mind thus wandering in etuafy fhould count the clock, or why an hour OioulJ not be a century in that calenture of the brains that can make the ftage a field. ' The truth is, that the ipedtators are always in their fenfes, and know, from the firlt...
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Mr. Johnson's Preface to His Edition of Shakespear's Plays..

Samuel Johnson - 1765 - 80 pagine
...There is no reafon why a mind thus wandering in extafy mould count the clock, or why an hour mould not be a century in that calenture of the brains that can make the ftage a field. The truth is, that the fpcctators are always in their fenfes, and know, from the firft...
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The plays of William Shakespeare, with the corrections and illustr ..., Volume 1

William Shakespeare - 1768 - 676 pagine
...There is no reafon why a mind thus wandering in extafy fhould count the clock, or why an hour fhould not be a century in that calenture of the brains that can make the It age a Held. The truth is, that the fpeftators are always in their fenfes, and know, from the firft...
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Prefaces. Tempest. Two gentlemen of Verona. Merry wives of Windsor

William Shakespeare - 1773 - 554 pagine
...There is no reafon why a mind thus wandering in ecftafy fhould count the clock, or why an hour fhould not be a century in that calenture of the brains that can make the ftage a field. The truth is, that the fpectators are always in their fenfes, and know, from the firfl...
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Miscellaneous and Fugitive Pieces, Volume 2

Samuel Johnson - 1774 - 374 pagine
...There is no Reafon why a Mind thus wandering in Extafy mould count the Clock, or why an Hour mould not be a Century in that Calenture of the Brains that can make the Stage a Field. The Truth is, that the Spectators arc always in their Senfes, and know, from the firft Act to the laft,...
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The Plays of William Shakespeare in Ten Volumes: Prefaces. The tempest. The ...

William Shakespeare - 1778 - 746 pagine
...There is no reafon why a mind thus wandering in ecftafy fhould count the clock, or why an hour fliould not be a century in that calenture of the brains that can make the ftage a field. The truth is, that the fpeftators are always in their fenfes, and know, from the firft...
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The Works of Samuel Johnson, LL. D.: The Adventurer. Philological tracts

Samuel Johnson, John Hawkins - 1787 - 500 pagine
...There is no reafon why a mind thus wandering in eeftacy fhould count the clock, or why an hour fhould not be a century in that calenture of the brains that can make the ftage a field. The truth is, that the fpe&ators are always in their fenfes, and know, from the firft...
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The Dramatick Writings of Will. Shakspere: With the Notes of All ..., Volume 1

William Shakespeare - 1788 - 346 pagine
...nature. There is no reason \\ hy a mind, thus wandering in ecstacy, should count count the clock ; or why an hour should not be a century in that calenture of the brains that can make the stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last,...
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The Plays of William Shakspeare: In Fifteen Volumes. With the Corrections ...

William Shakespeare - 1793 - 860 pagine
...There is no reafon why a mind thus wandering in ecftafy fhould count the clock, or why an hour fhould not be a century in that calenture of the brains that can make the ftage a field. The truth is, that the fpectators are always in their fenfes, and know, from the firft...
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The Critical and Miscellaneous Prose Works of John ..., Volume 1,Edizione 2

John Dryden, Edmond Malone - 1800 - 591 pagine
...terrestrial nature. There is no reason why a mind thus wandering in ecstasy should count the clock, or why an hour should not be a century in that calenture of the brains that can make the stage a field. "The truth is, that the spectators are always in their senses, and know, from the first act to the...
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