Expression: A Quarterly Review of Art, Literature, and the Spoken Word, Volume 1,Edizione 2School of Expression, 1897 From the numbers consist of the Annual catalogue, Announcements, etc., of the school. |
Dall'interno del libro
Risultati 1-5 di 50
Pagina 1
... attention simultaneously with observa- tion and with the development of reason . Now , the question arises , How can the artistic nature of man be best developed ? If we go back to the one people that developed the artistic appreciation ...
... attention simultaneously with observa- tion and with the development of reason . Now , the question arises , How can the artistic nature of man be best developed ? If we go back to the one people that developed the artistic appreciation ...
Pagina 2
... attention to right speak- ing in all our education , the failure to appreciate simple and genuine rendering of our best literature , is the primary cause of the coldness , the artificiality , the abstract one - sided and unsympathetic ...
... attention to right speak- ing in all our education , the failure to appreciate simple and genuine rendering of our best literature , is the primary cause of the coldness , the artificiality , the abstract one - sided and unsympathetic ...
Pagina 8
... attention than by his speaking . Mackaye used to say that by showing intensity of attention the poorest actor can be made to inspire an audience , and to seem great and effective ; while , on the other hand , by inattention the most ...
... attention than by his speaking . Mackaye used to say that by showing intensity of attention the poorest actor can be made to inspire an audience , and to seem great and effective ; while , on the other hand , by inattention the most ...
Pagina 9
... attention . objectively listens ; the orator subjectively listens . With an imagina- tive conception of the point of view and nature of some character , the actor gives his attention to his interlocutor , or to what his inter- locutor ...
... attention . objectively listens ; the orator subjectively listens . With an imagina- tive conception of the point of view and nature of some character , the actor gives his attention to his interlocutor , or to what his inter- locutor ...
Pagina 10
... attention , specific attention to each of his own ideas , and all the abandon of attentive listening on the part of his feelings . While a speech may be prepared , yet it must be really thought and felt at the time . Everything must be ...
... attention , specific attention to each of his own ideas , and all the abandon of attentive listening on the part of his feelings . While a speech may be prepared , yet it must be really thought and felt at the time . Everything must be ...
Altre edizioni - Visualizza tutto
Expression: A Quarterly Review of Art, Literature and the Spoken Word Visualizzazione completa - 1924 |
Expression: A Quarterly Review of Art, Literature, and the ..., Volumi 2-5 Visualizzazione estratti - 1899 |
Parole e frasi comuni
458 Boylston Street action actor aggregate mind appreciation artistic audience awaken beautiful become Boston Boston University C. H. Patterson cause character clergymen College Copley Square courses criticism delivery Delsarte dramatic instinct earnest EDWARD EVERETT HALE elements elocution elocutionary elocutionists emotion endeavor exercises expres fact faults give given heart HENRY IRVING human ideal ideas illustrations imagination insight inspiration language lessons literary literature means mechanical method Miss Monteagle nature needs never noble Oratory painting pantomime Parthenon Plymouth poem poet poetry postpaid principles processes Professor Monroe public reader realize recitals S. S. CURRY School of Expression Shakespeare sion soul speak speaker speech spirit spoken word struggle suggest summer term sympathetic taste teaching thing tion tone true truth University Vocal Expression Vocal Training voice and body whole William Winter