A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 128
... esthetic value of the whole form . One special mountain of great natural charm has lost for me all of its impressiveness , because a light - hearted companion once compared its autumn color- ing with that of " corned - beef hash . " It ...
... esthetic value of the whole form . One special mountain of great natural charm has lost for me all of its impressiveness , because a light - hearted companion once compared its autumn color- ing with that of " corned - beef hash . " It ...
Pagina 250
... esthetic emotion , we must give to the word an over - strict and unfamiliar definition . Every one sometimes uses ... esthetic and the non- esthetic use ; but when we speak of a beautiful woman there is . When an ordinary man speaks of a ...
... esthetic emotion , we must give to the word an over - strict and unfamiliar definition . Every one sometimes uses ... esthetic and the non- esthetic use ; but when we speak of a beautiful woman there is . When an ordinary man speaks of a ...
Pagina 482
... Esthetic Expression " in Philosophical Review , XXXV ( 1926 ) , pp . 221-235 . Reprinted in Gilbert's Studies in ... Esthetic as Science of Expression and General Lin- guistic . ( Translated by Douglas Ainslee . ) Second Edition . London ...
... Esthetic Expression " in Philosophical Review , XXXV ( 1926 ) , pp . 221-235 . Reprinted in Gilbert's Studies in ... Esthetic as Science of Expression and General Lin- guistic . ( Translated by Douglas Ainslee . ) Second Edition . London ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words