A Study in AestheticsMacmillan, 1931 - 415 pagine |
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Pagina 166
... CROCE'S VIEWS ON MATERIAL AND TECHNIQUE The material , then , is of central importance . It is the more necessary to stress this , even to harp on it a little , in that some of the writings of Croce2 have given rise to a wide- spread ...
... CROCE'S VIEWS ON MATERIAL AND TECHNIQUE The material , then , is of central importance . It is the more necessary to stress this , even to harp on it a little , in that some of the writings of Croce2 have given rise to a wide- spread ...
Pagina 167
... Croce's system , according to which ' intuition ' - the inward vision of the artist - is the only true expression . External media , he holds , are , strictly speaking , superfluous , so that there is no meaning in distinguishing ...
... Croce's system , according to which ' intuition ' - the inward vision of the artist - is the only true expression . External media , he holds , are , strictly speaking , superfluous , so that there is no meaning in distinguishing ...
Pagina 168
... Croce is , of course , an idealist , and holds a special view of the ontological status of material and of its relation to minds . But apart from this it does not appear that Croce , on the whole , intends to deny the im- portance of ...
... Croce is , of course , an idealist , and holds a special view of the ontological status of material and of its relation to minds . But apart from this it does not appear that Croce , on the whole , intends to deny the im- portance of ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association attitude bodily body called chapter character classicism Clive Bell cognised comic complex conscious course Croce difficult drama effects embodied emotions essential evil example exist fact feeling fulfilment fused hand human I. A. Richards Ibid idea imagination imitation implies important imputed inspiration interest kind knowledge Lascelles Abercrombie Macbeth Martin Secker matter meaning mental merely mind moral nature opera organic painting perceived object perception perfection perhaps perspective picture plastic pleasure poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological Psychology of Beauty question realism reality relation revealed romanticism sensa sense sensuous significance simple speaking sublime suggest teleological tendency term terminal object theory things tion tragedy true truth ugliness unity unpleasant vision visual words