A Study in AestheticsMacmillan, 1931 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 289
... artist affect his artistic vision ? Our interest is not in some general morality , but in morality as it is lived and trans- formed by the artist's personality , and in the possible effects of this upon him as an artist . III . HOW ARE ...
... artist affect his artistic vision ? Our interest is not in some general morality , but in morality as it is lived and trans- formed by the artist's personality , and in the possible effects of this upon him as an artist . III . HOW ARE ...
Pagina 297
... artist . The other side of the same thing ( following a rough parallel between this and morals ) is that the artist , if he is an artist , must work out his expression as consistently and coherently as he can : his business is to ...
... artist . The other side of the same thing ( following a rough parallel between this and morals ) is that the artist , if he is an artist , must work out his expression as consistently and coherently as he can : his business is to ...
Pagina 325
... artist's creation , it is of course necessary , if fusion is to occur , that all the items of his interest should be imagined in terms of his material . If the artist's choice of subject is a spontaneous one , if , in his restless ...
... artist's creation , it is of course necessary , if fusion is to occur , that all the items of his interest should be imagined in terms of his material . If the artist's choice of subject is a spontaneous one , if , in his restless ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association attitude bodily body called chapter character classicism Clive Bell cognised comic complex conscious course Croce difficult drama effects embodied emotions essential evil example exist fact feeling fulfilment fused hand human I. A. Richards Ibid idea imagination imitation implies important imputed inspiration interest kind knowledge Lascelles Abercrombie Macbeth Martin Secker matter meaning mental merely mind moral nature opera organic painting perceived object perception perfection perhaps perspective picture plastic pleasure poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological Psychology of Beauty question realism reality relation revealed romanticism sensa sense sensuous significance simple speaking sublime suggest teleological tendency term terminal object theory things tion tragedy true truth ugliness unity unpleasant vision visual words