A Study in AestheticsMacmillan, 1931 - 415 pagine |
Dall'interno del libro
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Pagina 298
... unpleasant , and what is unpleasant may be judged to be immoral . Or , both being taken as unpleasant , it may be said that the unpleasantness of the immoral is a more far - reaching kind of unpleasantness than the merely unpleasant ...
... unpleasant , and what is unpleasant may be judged to be immoral . Or , both being taken as unpleasant , it may be said that the unpleasantness of the immoral is a more far - reaching kind of unpleasantness than the merely unpleasant ...
Pagina 302
... unpleasant must be appreciated within its context . The pleasant , the unpleasant , the moral , and the immoral may enter into art . But our reactions to them are special aesthetic reactions . Granting , then , that such values can ...
... unpleasant must be appreciated within its context . The pleasant , the unpleasant , the moral , and the immoral may enter into art . But our reactions to them are special aesthetic reactions . Granting , then , that such values can ...
Pagina 307
... unpleasant and the pleasant on the one hand , and the morally evil and the morally good on the other . The effects of the unpleasant ( taken again as expressed for its own sake ) and the pleasant in art are , I suppose , respectively ...
... unpleasant and the pleasant on the one hand , and the morally evil and the morally good on the other . The effects of the unpleasant ( taken again as expressed for its own sake ) and the pleasant in art are , I suppose , respectively ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association attitude bodily body called chapter character classicism Clive Bell cognised comic complex conscious course Croce difficult drama effects embodied emotions essential evil example exist fact feeling fulfilment fused hand human I. A. Richards Ibid idea imagination imitation implies important imputed inspiration interest kind knowledge Lascelles Abercrombie Macbeth Martin Secker matter meaning mental merely mind moral nature opera organic painting perceived object perception perfection perhaps perspective picture plastic pleasure poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological Psychology of Beauty question realism reality relation revealed romanticism sensa sense sensuous significance simple speaking sublime suggest teleological tendency term terminal object theory things tion tragedy true truth ugliness unity unpleasant vision visual words