Dostoevsky: the Major FictionM.I.T. Press, 1964 - 255 pagine In the past, critics have considered Dostoevsky an artist, thinker or psychologist, according to their own temperment. Now, with the appearance of Dostoevsky: The Major Fiction, it is at last possible to see him whole - for in this close, critical reading of Dostoevsky's major works the aesthetic, ideological, and psycholgical factors are as thoroughly interwoven and interdependant as they are in the novels themselves. |
Sommario
The Early Works | 3 |
The Petrashevsky Circle and The House of the Dead | 17 |
Chernyshevsky and The Insulted and the Injured | 27 |
Copyright | |
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accept Aglaya Alyosha Arkady atheism beautiful believe Belinsky Brothers Karamazov character Chernyshevsky Christ circle confession corrupt Crime and Punishment critics death Dmitry Dmitry's Dostoev Dostoevskogo Dostoevsky's world drama dream Epanchin everything evil F. M. Dostoevsky faith father Fatherland Notes feels final forgiveness freedom Fyodor Ganya Golyadkin Grand Inquisitor Grossman Grushenka hate heart hero human humiliation hurt idea Idiot impulses insult Ippolit Ivan's Katerina Katorga kill Kirilov laws of nature Lebedev Leonid Grossman letter liberal Liza logic man's Marmeladov meeting metaphysic Mikhaylovsky Moscow motives murder Myshkin mystery nadryv Nastasya Fillipovna Nechaev Netochka Nezvanova novel Peter Petersburg Petrashevsky Petrashevsky circle Prince prison provokes prussic acid psychology published Raskolnikov reality reason Rogozhin Russian sacrifice says scene self-interest Shatov Smerdyakov social socialists society Sonia soul Stavrogin Stellovsky Stepan Trofimovich suffering Svidrigaylov takes tells tion toevsky toevsky's Totsky truth Underground understand Valkovsky Versilov Vladimir Solovyov wants wrong Zossima
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