The Dehumanization of Art and Other Essays on Art, Culture, and LiteraturePrinceton University Press, 8 ott 2019 - 224 pagine A classic work on radical aesthetics by one of the great philosophers of the early twentieth century |
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... artistic purpose necessarily produces identical sociological consequences. In fact, the unpopularity of the new music has its counterpart in a similar unpopularity of the other Muses. All modern art is unpopular, and it is so not ...
... they understood it they disliked it. Faithfully adhering to definite aesthetic norms, they were disgusted at the new artistic values which this piece of art proposed to them. “From a sociological point of view” the characteristic feature ...
... Artistic forms proper—figments, fantasy—are tolerated only if they do not interfere with the perception of human forms and fates. As soon as purely aesthetic elements predominate and the story of John and Mary grows elusive, most people ...
... artistic pleasure, but preoccupation with the human content of the work is in principle incompatible with aesthetic enjoyment proper. We have here a very simple optical problem. To see a thing we must adjust our visual apparatus in a ...
... artistic only in so far as it is not real. In order to enjoy Titian's portrait of Charles the Fifth on horseback we must forget that this is Charles the Fifth in person and see instead a portrait—that is, an image, a fiction. The ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 1968 |
The Dehumanization of Art: And Other Essays on Art, Culture, and Literature José Ortega y Gasset Visualizzazione estratti - 1968 |
The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima non disponibile - 2019 |