The Dehumanization of Art and Other Essays on Art, Culture, and LiteraturePrinceton University Press, 8 ott 2019 - 224 pagine A classic work on radical aesthetics by one of the great philosophers of the early twentieth century |
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... human experience and the novel as a genre—views that remained current and vibrant at least until structuralism became prominent in critical circles. Now, as critics struggle to reckon with some of the things that structuralism and its ...
... human form, but that is not what “dehumanized” means, and Ortega recognizes that such works cannot be dismissed out of hand. He understood the broad cultural significance of the new art and recognized that it had something important to ...
... human species. The new art obviously addresses itself not to everybody, as did Romanticism, but to a specially gifted minority. Hence the indignation it arouses in the masses. When a man dislikes a work of art, but understands it, he ...
... this implies that its impulses are not of a generically human kind. It is an art not for men in general but for a special class of men who may not be better but who evidently are different. One point must be clarified before we go on. What.
... human affairs. Artistic forms proper—figments, fantasy—are tolerated only if they do not interfere with the perception of human forms and fates. As soon as purely aesthetic elements predominate and the story of John and Mary grows ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 1968 |
The Dehumanization of Art: And Other Essays on Art, Culture, and Literature José Ortega y Gasset Visualizzazione estratti - 1968 |
The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima non disponibile - 2019 |