The Dehumanization of Art and Other Essays on Art, Culture, and LiteraturePrinceton University Press, 8 ott 2019 - 224 pagine A classic work on radical aesthetics by one of the great philosophers of the early twentieth century |
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... present-day art is of a different kind. A distinction must be made between what is not popular and what is unpopular. A new style takes some time in winning popularity; it is not popular, but it is not unpopular either. The break ...
... present at the performance of Hernani understood Victor Hugo's play very well; precisely because they understood it they disliked it. Faithfully adhering to definite aesthetic norms, they were disgusted at the new artistic values which ...
... present themselves, the masses bristle. For a century and a half the masses have claimed to be the whole of society. Stravinski's music or Pirandello's drama have the sociological effect of compelling the people to recognize itself for ...
... present themselves obscured by low passions. “Nolite fieri,” the evangelist exhorts us, “sicut equus et mulus quibus non est intellectus”—do not act like horses and mules that lack understanding. The masses kick and do not understand ...
... presents or narrates a very different thing from true artistic pleasure, but preoccupation with the human content of the work is in principle incompatible with aesthetic enjoyment proper. We have here a very simple optical problem. To ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 1968 |
The Dehumanization of Art: And Other Essays on Art, Culture, and Literature José Ortega y Gasset Visualizzazione estratti - 1968 |
The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima non disponibile - 2019 |