How cam'ft thou in this pickle? Trin. I have been in fuch a pickle, fince I faw you laft, that, I fear me, will never out of my bones: I fhall not fear fly-blowing. Seb. Why, how now, Stephano? Ste. O, touch me not: I am not Stephano, but a cramp. Ste. I fhould have been, a fore one then. Cal. Ay, that I will, and I'll be wife hereafter, Pro. Go to, away! Alon. Hence, and bestow your luggage where you found it. Seb. Or ftole it rather. Pro. Sir, I invite your highnefs, and your train, To hear the ftory of your life, which muft But, in the Paffage before us, it feems his Defign to joke upon the Rodomontado Boafts of their Elixirs and to infinuate, that Sack was the only Reftorer of Youth, and Beftower of Immortality. Mr. Warburton, Pro. Pro, I'll deliver all; And promise you calm feas, aufpicious gales, [Exeunt omnes, 梁 EPILOGUE. NOW Spoken by Profpero. OW my charms are all o'er-thrown, (35) And my ending is Defpair, The Allufion is very well kept up in this Epilogue. And the Actor here is not only applying to the Audience for Favour, in behalf of the Author; but Profpero fpeaks in the Character of a Magician; and fo (as Mr. Warburton hinted to me) alludes to the old Stories told of the Necromancers' Defpair in their laft Moments, and the Prayers of their Friends for them. THESEUS, Duke of Athens. Lyfander, in love with Hermia. Demetrius, in love with Hermia. Philoftrate, Master of the Sports to the Duke. Quince, the Carpenter. Snug, the Joiner. Bottom, the Weaver. Flute, the Bellows-mender. Starveling, the Tailor. Hippolita, Princess of the Amazons, betroth'd to Thefeus. Hermia, Daughter to Egeus, in love with Lyfander. Helena, in love with Demetrius. AIM SCENE, Athens; and a Wood not far from it. |