Comic strips and consumer culture, 1890-1945Smithsonian, 17 apr 1998 - 233 pagine Drawing on comic strip characters such as Buster Brown, Winnie Winkle, and Superman, Ian Gordon shows how, in addition to embellishing a wide array of goods with personalities, comic strips themselves increasingly promoted consumerist values and upward mobility. |
Sommario
From National Phenomenon | 80 |
The Persistence of Comic Art as Commodity | 152 |
Notes | 169 |
Copyright | |
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Action Comics advertising African Americans American Comic Strip American History appeared April Archives Center Atlantic audience automobile Batman boys Branner Brown Shoe Buster Brown cartoons Century Chicago circulation City color comic art form comic books Comic Strip Artists comic strip characters comic supplement commercial commodities consumer culture culture of consumption Daily DC's depicted Detective Comics dolls early episode feature figures Funnies Gallup's Gasoline Alley George Herriman Happy Hooligan Hearst Herriman Hogan's Alley Howarth illustrated humor instance January Katzenjammer Kids Krazy Kat licensed Lil Mose Modern movie Museum of American N. W. Ayer narrative National Museum newspapers November October Outcault panels papers percent published Puck readers readership reprint Rinso Rudolph Dirks Sambo Sani-Flush sell September Smithsonian Institution society stereotypes story Sunday superhero Superman syndicates tion Tribune University Press vaudeville vertisements Walt Wertham Winnie Winkle Winnie's word balloons Yellow Kid