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2. Earlier republican form of the toga. From Becker, Augusteum, III, Pl. CXVII

3. Later republican and early imperial form of the toga. From Scott, Portraiture of Julius Caesar, p. 124

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4. The Roman Forum in 1906. From a photograph

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5. Cross section of the Carcer in antiquity. See Middleton, Remains of Ancient Rome, I, p. 152

6. The Tullianum in 1906. From a photograph

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7. Pompey. Bust in Copenhagen. From Brunn and Arndt, Griechische und Römische Porträts, No. 524

8. Merchant ship. From a Pompeian relief. See Torr, Ancient Ships, Fig. 26

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9. Ship of war. From a Pompeian painting. See Torr, Ancient Ships, Fig. 36

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10. Coin with head of Caesar. Photographed from original owned by Professor M. H. Morgan

11. Fasces with secures. Relief in Capitoline Museum. From Schreiber, Atlas of Classical Antiquities, Pl. LXXXVII, 14

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12. Tabellae, found in Pompeii. From Overbeck, Pompeji (4th ed.),
P. 489
13. The bronze wolf, now in the Museum of the Conservatori, Rome,
probably a work of the fifth century B.C. The twins are mod-
From Brunn, Denkmäler, Taf. 453 ·

ern.

14. Sella curulis and subsellium; a coin of P. Furius Crassipes,
from Cohen, Monnaies de la République, Pl. XIX, 4
15. Statue of a Vestal Virgin, found in the House of the Vestals.

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From Huelsen-Carter,

144

FIG.

17. Terra-cotta head of an unknown Roman of the late republican or
early imperial period. Museum of Fine Arts, Boston. Photo-
graphed and published here by permission of the Director
18. Traditional bust of the Elder Africanus. In the Capitoline Museum.
From a photograph

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19. Sarcophagus of one of the Scipios, with the bust often called Ennius.
In the Vatican. From Baumeister, Denkmäler, p. 1557
20. Bust of Hortensius in the Villa Albani. From Annali dell' Isti-
tuto, 1882, Tav. L

21. Bronze bust traditionally representing the Elder Brutus. Museum
of the Conservatori, Rome. From Brunn and Arndt, Griechische
und Römische Porträts, No. 446

22. Cithara and Lyra. From a Roman sarcophagus. See Eull. Comm. Archeol. Munic. XXX, pl. XI-XII

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23. Bust of Sulla, in the Vatican. From Bernouilli, Kömische Ikonographie, I, Taf. V

24. Via Appia, looking toward the Alban Mount, with the Claudian

Aqueduct at the left. From a photograph

25. Roman shoes (calcei). From Baumeister, Denkmäler, p. 2119
26. Mark Antony. Bust in the Vatican. From Bernouilli, Römische
Ikonographie, I, Taf. xxx

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27. Departing traveler, wearing the paenula, reckoning with the
hostess of his inn. Sepulchral relief, now in Naples. See
Schreiber, Atlas of Classical Antiquities, Pl. LXII, 12
28. Gladiator appealing to the spectators for his life. Pompeian paint-
ing. From Schreiber (see above), Pl. XXX, 10
29. Bust of Julius Caesar, at Parma. Photographed from a cast in the
Scott Collection in Harvard College .

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241

258

Facing page 265

MAPS AND PLANS

Latium
Italy

Facing page

21

tory, by permission of Messrs. G. P. Putnam's Sons

Rome in the time of Cicero

Plan of the Forum in the time of Cicero

Aegean Sea and adjacent countries

The Roman Empire in 49 B.C. From Pelham, Outlines of Roman His

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INTRODUCTION

SKETCH OF CICERO'S LIFE

MARCUS TULLIUS CICERO, of equestrian rank, was born at Arpinum, a town of Latium on the border of Campania, January 3, in the year 106 B.C.'. His early life was spent in the neighborhood of his native place and in Rome. In Rome one of his teachers is said to have been the poet Archias. Forty years later Cicero defended Archias in a splendid oration, which is included in this edition. Through the influence of such associates as Archias, Cicero became an omnivorous reader, and the habit remained with him throughout his life. He tells us, in a book about orators, that a man who wishes to become an orator cannot study too much nor make his range of culture too wide.

The Social War, caused by the discontent of the Italian allies of Rome, who had not the full right of citizenship, broke out when Cicero was about seventeen years of age. In this war he gained his first experience as a soldier.

The young Cicero lost no opportunity, while in the city, to hear speeches from the rostrum, "and every day wrote and read and took notes." The Rhodian rhetorician Molo, who was visiting Rome, gave him lessons in the art of oratory. He was trained in philosophy by the Athenian refugee Philo, and afterwards by the Stoic Diodotus. A practical knowledge of the law came to him from listening to the discourses and pithy sayings of the greatest lawyers of his time, Scaevola the augur and Scaevola's cousin of the same name, the pontifex maximus. Thus the young man became thoroughly equipped for the duties of an advocate and of a citizen.

1 All dates in this volume denote years before Christ unless otherwise designated.

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