Music, Sound and Filmmakers: Sonic Style in Cinema

Copertina anteriore
James Eugene Wierzbicki
Routledge, 2012 - 210 pagine

Music, Sound and Filmmakers: Sonic Style in Cinema is a collection of essays that examine the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieślowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music coursework, or stand on its own among a body of research.

 

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Sommario

Chapter 1 Sonic Style in Cinema
1
Chapter 2 Music Sound and Silence in the Films of Ingmar Bergman
15
The Refrain of the Sonic Fingerprint
32
Sonic Shaping in the Films of Wes Anderson
45
Chapter 5 Kieślowskis Musique concrète
61
Chapter 6 Gus Van Sants Soundwalks and Audiovisual Musique concrète
76
Music and Meaning in the Coen Brothers Films
89
Chapter 8 Sound and Uncertainty in the Horror Films of the Lewton Unit
107
Music Nuclear Bombs Disorientationand You
138
Controlling Sonic Space in the Films of Peter Greenaway
151
Tarantinos Sonic Style
165
Notes on Lynchian Sound Design
175
Lists of Contributors
189
Bibliography
191
Index
202
Copyright

David O Selznick and the Hollywood Film Score
122

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Informazioni sull'autore (2012)

James Wierzbicki teaches Musicology at the University of Sydney.

Informazioni bibliografiche