The Dehumanization of ArtP. Smith, 1951 - 29 pagine |
Dall'interno del libro
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Pagina
... Don Quixote . Cervantes fills all our senses with the genuine presence of his personages . We listen to their true con- versations , we see their actual movements . Stendhal's greatness derives from the same cause . NO DEFINITIONS We ...
... Don Quixote . Cervantes fills all our senses with the genuine presence of his personages . We listen to their true con- versations , we see their actual movements . Stendhal's greatness derives from the same cause . NO DEFINITIONS We ...
Pagina
... Don Quixote in contrast to the romances of chivalry . In- deed , were we to determine the conditions of the modern novel , we should only need to ascertain what a literary prose production must look like that makes a principle of ...
... Don Quixote in contrast to the romances of chivalry . In- deed , were we to determine the conditions of the modern novel , we should only need to ascertain what a literary prose production must look like that makes a principle of ...
Pagina
... Don Quixote is not ( 94 ) contained within the novel , we construct it from without when musing over our impressions of the book . Dos- toevski's religious and political ideas are not operative agencies within the body of his work ...
... Don Quixote is not ( 94 ) contained within the novel , we construct it from without when musing over our impressions of the book . Dos- toevski's religious and political ideas are not operative agencies within the body of his work ...
Parole e frasi comuni
action adventures aesthetic appear artistic aspect attention become begins body called cause century character classical clear consists contemplation definition DEHUMANIZATION delight direction distance Dostoevski drama effect elements emotions essential event existence eyes fact feel figures French genre gives hand happens Hence historical holds horizon hour human ideas imaginary inner interest invent keep less literary living look major man's masses material matter means merely metaphor mind modern art move names nature never novel novelist object observe opposite painter painting passions past perhaps person personages play pleasure poet poetry political popular possess possible precisely present produce psychological pure reader reading reality reason relation requires reveal seems seen sense sensibility souls Spanish style theater thing tion traditional turn understand values young