The Dehumanization of ArtP. Smith, 1951 - 29 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 9
... ARTISTIC ART ( ( If the new art is not accessible to every man this im- plies that its impulses are not of a generically human kind . It is an art not for men in general but for a spe- cial class of men who may not be better but who evi ...
... ARTISTIC ART ( ( If the new art is not accessible to every man this im- plies that its impulses are not of a generically human kind . It is an art not for men in general but for a spe- cial class of men who may not be better but who evi ...
Pagina 13
... artistic objects . Their enjoyment does not depend upon our power to focus on transparencies and images , a power characteristic of the artistic sensibility ; all they require is human sensibility and willingness to sympa- thize with ...
... artistic objects . Their enjoyment does not depend upon our power to focus on transparencies and images , a power characteristic of the artistic sensibility ; all they require is human sensibility and willingness to sympa- thize with ...
Pagina 41
... artistic attitude which I am trying to describe . The traditional playwright ex- pects us to take his personages for persons and their gestures for the indications of a " human " drama . Whereas here our interest is aroused by some ...
... artistic attitude which I am trying to describe . The traditional playwright ex- pects us to take his personages for persons and their gestures for the indications of a " human " drama . Whereas here our interest is aroused by some ...
Parole e frasi comuni
action adventures aesthetic appear artistic aspect attention become begins body called cause century character classical clear consists contemplation definition DEHUMANIZATION delight direction distance Dostoevski drama effect elements emotions essential event existence eyes fact feel figures French genre gives hand happens Hence historical holds horizon hour human ideas imaginary inner interest invent keep less literary living look major man's masses material matter means merely metaphor mind modern art move names nature never novel novelist object observe opposite painter painting passions past perhaps person personages play pleasure poet poetry political popular possess possible precisely present produce psychological pure reader reading reality reason relation requires reveal seems seen sense sensibility souls Spanish style theater thing tion traditional turn understand values young