The Dehumanization of ArtP. Smith, 1951 - 29 pagine |
Dall'interno del libro
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Pagina 13
... elements to a minimum and let the work consist almost entirely in a fiction of human realities . In this sense all normal art of the last century must be called realistic . Beethoven and Wagner were realistic , and so was Chateaubriand ...
... elements to a minimum and let the work consist almost entirely in a fiction of human realities . In this sense all normal art of the last century must be called realistic . Beethoven and Wagner were realistic , and so was Chateaubriand ...
Pagina
... elements which seem to disturb pure contemplation - interests , sentiments , com- pulsions , affective preferences - are precisely its indis- pensable instruments . Any human destiny that does not labor under an unbearable strain can ...
... elements which seem to disturb pure contemplation - interests , sentiments , com- pulsions , affective preferences - are precisely its indis- pensable instruments . Any human destiny that does not labor under an unbearable strain can ...
Pagina
... element , we must regain the shores of our existence proper . Were someone to find us in just that moment , our ... elements - he will have lost out if he cannot keep us from remembering that there exists an extramural world . Hence ...
... element , we must regain the shores of our existence proper . Were someone to find us in just that moment , our ... elements - he will have lost out if he cannot keep us from remembering that there exists an extramural world . Hence ...
Parole e frasi comuni
action adventures aesthetic ality appear aroused artistic sensibility aspect attitude author's become Beethoven begins called casuistry century cerned character cisely classical contemplation cubism Debussy DEHUMANIZATION delight derealized destinies dime novel Don Quixote Dostoevski drama dramatic interest El Espectador elements emotions epoch essential event existence fact feel French theater genre gesture hand happens Hence historical horizon human contents ical ideas images imaginary inner inspiration invent less ligion literary literary genre living forms look Madame Tussaud's magic man's masses means ment metaphor mind modern art modern novel move nineteenth novelist object observe opposite painter painting passions perceptive apparatus person personages phenomenon pleasure plot poet poetry point of view political popular possible present Proust psychological reader realistic reality Romanticism scene seems self-presence sentiments sociological souls Spanish theater Stendhal style tain thing tion traditional Tristan and Isolde unpopular words young artists