The Dehumanization of ArtP. Smith, 1951 - 29 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 41
... personages for persons and their gestures for the indications of a " human " drama . Whereas here our interest is aroused by some person- ages as such - that is , as ideas or pure patterns . Pirandello's drama is , I dare say , the ...
... personages for persons and their gestures for the indications of a " human " drama . Whereas here our interest is aroused by some person- ages as such - that is , as ideas or pure patterns . Pirandello's drama is , I dare say , the ...
Pagina
... personages as their self - presence . We en- joy seeing those people before us and being admitted to \ their inner life , understanding them , and living im- ( 61 ) \ mersed in their world or atmosphere . From being nar- rative and ...
... personages as their self - presence . We en- joy seeing those people before us and being admitted to \ their inner life , understanding them , and living im- ( 61 ) \ mersed in their world or atmosphere . From being nar- rative and ...
Pagina
... personages . Thanks to this abundant flow of words the imaginary persons acquire a palpable bodily existence such as ... personages . When he introduces a figure he nearly always begins by briefly giving a biography of that person and ...
... personages . Thanks to this abundant flow of words the imaginary persons acquire a palpable bodily existence such as ... personages . When he introduces a figure he nearly always begins by briefly giving a biography of that person and ...
Parole e frasi comuni
action adventures aesthetic ality appear aroused artistic sensibility aspect attitude author's become Beethoven begins called casuistry century cerned character cisely classical contemplation cubism Debussy DEHUMANIZATION delight derealized destinies dime novel Don Quixote Dostoevski drama dramatic interest El Espectador elements emotions epoch essential event existence fact feel French theater genre gesture hand happens Hence historical horizon human contents ical ideas images imaginary inner inspiration invent less ligion literary literary genre living forms look Madame Tussaud's magic man's masses means ment metaphor mind modern art modern novel move nineteenth novelist object observe opposite painter painting passions perceptive apparatus person personages phenomenon pleasure plot poet poetry point of view political popular possible present Proust psychological reader realistic reality Romanticism scene seems self-presence sentiments sociological souls Spanish theater Stendhal style tain thing tion traditional Tristan and Isolde unpopular words young artists