The Dehumanization of ArtP. Smith, 1951 - 29 pagine |
Dall'interno del libro
Risultati 1-3 di 10
Pagina
... reader . To a perfunctory obser- vation , he seems to define each of his personages . When he introduces a figure he nearly always begins by briefly giving a biography of that person and thus makes us believe that we know well enough ...
... reader . To a perfunctory obser- vation , he seems to define each of his personages . When he introduces a figure he nearly always begins by briefly giving a biography of that person and thus makes us believe that we know well enough ...
Pagina
... reader's horizon must be nar- rowed . Let me explain . If by horizon we understand the circle of people and events that integrate the world of each of us , we may be misled into believing that certain horizons are so wide and varied ...
... reader's horizon must be nar- rowed . Let me explain . If by horizon we understand the circle of people and events that integrate the world of each of us , we may be misled into believing that certain horizons are so wide and varied ...
Pagina
... reader must be caught in a dense web of innumerable minutely told circumstances . What is our life but an immense agglomeration of trifles ? Since exaggeration always serves to call our attention to the thing in its rightful measure ...
... reader must be caught in a dense web of innumerable minutely told circumstances . What is our life but an immense agglomeration of trifles ? Since exaggeration always serves to call our attention to the thing in its rightful measure ...
Parole e frasi comuni
action adventures aesthetic ality appear aroused artistic sensibility aspect attitude author's become Beethoven begins called casuistry century cerned character cisely classical contemplation cubism Debussy DEHUMANIZATION delight derealized destinies dime novel Don Quixote Dostoevski drama dramatic interest El Espectador elements emotions epoch essential event existence fact feel French theater genre gesture hand happens Hence historical horizon human contents ical ideas images imaginary inner inspiration invent less ligion literary literary genre living forms look Madame Tussaud's magic man's masses means ment metaphor mind modern art modern novel move nineteenth novelist object observe opposite painter painting passions perceptive apparatus person personages phenomenon pleasure plot poet poetry point of view political popular possible present Proust psychological reader realistic reality Romanticism scene seems self-presence sentiments sociological souls Spanish theater Stendhal style tain thing tion traditional Tristan and Isolde unpopular words young artists