The Dehumanization of ArtP. Smith, 1951 - 29 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 25
... thing , let us not rant and rave . " no é “ Dove si grida , ” Leonardo da Vinci warns us , vera scienza . " " Neque lugere neque indignari sed in- telligere , " recommends Spinoza . Our firmest convic- tions are apt to be the most ...
... thing , let us not rant and rave . " no é “ Dove si grida , ” Leonardo da Vinci warns us , vera scienza . " " Neque lugere neque indignari sed in- telligere , " recommends Spinoza . Our firmest convic- tions are apt to be the most ...
Pagina 33
... things , it ' lets emerge imaginary reefs , a crop of floating islands . A strange thing , indeed , the existence in man of this mental activity which substitutes one thing for an- other from an urge pot so much to get at the first as ...
... things , it ' lets emerge imaginary reefs , a crop of floating islands . A strange thing , indeed , the existence in man of this mental activity which substitutes one thing for an- other from an urge pot so much to get at the first as ...
Pagina 37
... thing . The real thing always overflows the concept that is supposed to hold it . An object is more and other than what is implied in the idea of it ) The idea remains a bare pattern , a sort of scaffold with which we try to get at ...
... thing . The real thing always overflows the concept that is supposed to hold it . An object is more and other than what is implied in the idea of it ) The idea remains a bare pattern , a sort of scaffold with which we try to get at ...
Parole e frasi comuni
action adventures aesthetic ality appear aroused artistic sensibility aspect attitude author's become Beethoven begins called casuistry century cerned character cisely classical contemplation cubism Debussy DEHUMANIZATION delight derealized destinies dime novel Don Quixote Dostoevski drama dramatic interest El Espectador elements emotions epoch essential event existence fact feel French theater genre gesture hand happens Hence historical horizon human contents ical ideas images imaginary inner inspiration invent less ligion literary literary genre living forms look Madame Tussaud's magic man's masses means ment metaphor mind modern art modern novel move nineteenth novelist object observe opposite painter painting passions perceptive apparatus person personages phenomenon pleasure plot poet poetry point of view political popular possible present Proust psychological reader realistic reality Romanticism scene seems self-presence sentiments sociological souls Spanish theater Stendhal style tain thing tion traditional Tristan and Isolde unpopular words young artists