The Archetypal World of Henry Moore |
Dall'interno del libro
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Pagina 19
"He gets the solid shape, as it were, inside his head,6 he thinks of it, whatever its
size, as if he were holding it completely enclosed in the hollow of his hand. He
mentally visualizes a complex form from all round itself; he knows while he looks
...
"He gets the solid shape, as it were, inside his head,6 he thinks of it, whatever its
size, as if he were holding it completely enclosed in the hollow of his hand. He
mentally visualizes a complex form from all round itself; he knows while he looks
...
Pagina 39
The dehumanization of the object, which began with the female body turning into
hills and valleys of terrestrial shape, is carried a stage further: Moore now starts
loosening up the compact unity of masses that sculpture, as previously ...
The dehumanization of the object, which began with the female body turning into
hills and valleys of terrestrial shape, is carried a stage further: Moore now starts
loosening up the compact unity of masses that sculpture, as previously ...
Pagina 47
creation is tliat he does not use matter as the raw material of his vision and shape
it by force — in the way, for instance, that Michelangelo impressed the mythical
world of his vision forever on the West, which thereafter saw God the Father in ...
creation is tliat he does not use matter as the raw material of his vision and shape
it by force — in the way, for instance, that Michelangelo impressed the mythical
world of his vision forever on the West, which thereafter saw God the Father in ...
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abstract analytical psychology Ancaster stone artist aspect becomes body breast carving caves Chalk Chalk and water Coll collective unconscious connection consciousness Corsehill creative individual cultural canon death Edition Elmwood Erich Neumann experience expression EXTERNAL FORMS FAMILY GROUP fate goddess feminine archetype form and content formal haptic Henry Moore hole Hornton stone human IDEAS FOR SCULPTURE inner inside landscape London Madonna maternal matriarchal modern Moore's art Moore's sculptures MOTHER AND CHILD mother archetype Museum mystery nature Notes on Sculpture numinous openwork heads Pen and water Primitive Art primordial principle Private collections psychic psychological RECLINING FIGURE RECLINING FIGURE Bronze relationship round scious sculp sculpture SEATED FIGURES shape shelter drawings simplification sleepers soul spectral spiritual STANDING FIGURES strange stringed figures symbol Tate Gallery Terra cotta thing Time-Life Time-Life Building tion transpersonal ture uncon unconscious unitary reality water color woman womb wonderstone wood