Aesthetics and the Philosophy of Criticism

action aesthetic attitude aesthetic vision aestheticians appearance Art History artist Baroque Baroque art beauty believe century character characteristics Clive Bell colors common concept consider criticism Distance distinction Divine Comedy effect elements emotion evaluation example experience expression fact feeling function High Renaissance human I. A. Richards idea imagination imitation imply important individual intention interest intuition intuitive knowledge judge judgement of taste judgment kind language Leonardo Leonardo da Vinci less literary literature logical look matter meaning merely mind modern Mona Lisa moral nature object obscenity painting particular perception person philosophical phrase picture poem poet poetic poetry Pope Innocent X possible Poussin principle problem proposition question reader reason reference Renaissance representation sculpture seems sense sentence significance spirit statement statue style suggest symbol theory things tion Tomas traditional tragedy tragic true truth Vasari words write