A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 12
Pagina vi
... C. K. Ogden , I. A. Richards , and James Wood , 1922 . Princeton University Press : The Arts and the Art of Criticism , by Theodore Meyer Greene , 1940 . Harvard University Press : The Basis of Criticism in the Arts , by Stephen Coburn ...
... C. K. Ogden , I. A. Richards , and James Wood , 1922 . Princeton University Press : The Arts and the Art of Criticism , by Theodore Meyer Greene , 1940 . Harvard University Press : The Basis of Criticism in the Arts , by Stephen Coburn ...
Pagina 433
... C. K. OGDEN , I. A. RICHARDS , and JAMES WOOD Synaesthesis Introductory Note AS A DISTINGUISHED MEMBER OF the Philosophy Department at Harvard , Hugo Münsterberg ( 1863-1916 ) has developed a theory somewhat like that of Bul- lough and ...
... C. K. OGDEN , I. A. RICHARDS , and JAMES WOOD Synaesthesis Introductory Note AS A DISTINGUISHED MEMBER OF the Philosophy Department at Harvard , Hugo Münsterberg ( 1863-1916 ) has developed a theory somewhat like that of Bul- lough and ...
Pagina 443
An Anthology Melvin Miller Rader. C. K. OGDEN , I. A. RICHARDS , AND JAMES WOOD Synaesthesis My master the celebrated Chang says : " Having no leanings is called Chung , admitting of no change is ... C K OGDEN, I Synaesthesis RICHARDS,
An Anthology Melvin Miller Rader. C. K. OGDEN , I. A. RICHARDS , AND JAMES WOOD Synaesthesis My master the celebrated Chang says : " Having no leanings is called Chung , admitting of no change is ... C K OGDEN, I Synaesthesis RICHARDS,
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words