A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 378
... contemplative self . Now , at last , let us assume that the imitation is involuntary . The more I am absorbed in the contemplation of the seen movement the more involuntary will be the imitation . Conversely , the more involuntary the ...
... contemplative self . Now , at last , let us assume that the imitation is involuntary . The more I am absorbed in the contemplation of the seen movement the more involuntary will be the imitation . Conversely , the more involuntary the ...
Pagina 380
... contemplation of the very movement that releases the desire for imitation . So this desire needs no further satisfaction , and in particular not the satis- faction afforded by the kinesthetic events occurring in one's own body . The ...
... contemplation of the very movement that releases the desire for imitation . So this desire needs no further satisfaction , and in particular not the satis- faction afforded by the kinesthetic events occurring in one's own body . The ...
Pagina 391
... contemplation consists in just this , that in it man is released from his individuality , from his will , and remains only as a pure subject , as a clear mirror of the object . " And just thereby is the one engaged in such contemplation ...
... contemplation consists in just this , that in it man is released from his individuality , from his will , and remains only as a pure subject , as a clear mirror of the object . " And just thereby is the one engaged in such contemplation ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words