A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina iv
... Andrew Cecil Bradley , 1909 ; and for permission to reprint from Three Lec- tures on Aesthetics by Bernard Bosanquet , 1915 . John Murray Ltd. for British Empire rights to reprint from The Nude : A Study in Ideal Form by Kenneth Clark ...
... Andrew Cecil Bradley , 1909 ; and for permission to reprint from Three Lec- tures on Aesthetics by Bernard Bosanquet , 1915 . John Murray Ltd. for British Empire rights to reprint from The Nude : A Study in Ideal Form by Kenneth Clark ...
Pagina 225
... Andrew Cecil Bradley ( 1851-1935 ) , a distinguished critic and professor of poetry at Oxford University . Although he primarily discussed form and content in poetry , his conception of form can be extended to all the arts . He agrees ...
... Andrew Cecil Bradley ( 1851-1935 ) , a distinguished critic and professor of poetry at Oxford University . Although he primarily discussed form and content in poetry , his conception of form can be extended to all the arts . He agrees ...
Pagina 237
... ANDREW CECIL BRADLEY Poetry for Poetry's Sake The words " Poetry for poetry's sake " recall the famous phrase " Art for Art . " It is far from my purpose to examine ... Andrew Cecil Bradley 237 Andrew Cecil Bradley: Poetry for Poetry's Sake.
... ANDREW CECIL BRADLEY Poetry for Poetry's Sake The words " Poetry for poetry's sake " recall the famous phrase " Art for Art . " It is far from my purpose to examine ... Andrew Cecil Bradley 237 Andrew Cecil Bradley: Poetry for Poetry's Sake.
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision