A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 104
... Apollinian and Dionysian duality - just as procreation depends on the duality of the sexes , involving perpetual strife with only periodically intervening recon- ciliations . The terms Dionysian and Apollinian we borrow from the Greeks ...
... Apollinian and Dionysian duality - just as procreation depends on the duality of the sexes , involving perpetual strife with only periodically intervening recon- ciliations . The terms Dionysian and Apollinian we borrow from the Greeks ...
Pagina 109
... Apollinian art , it was so , strictly speaking , only as the wave beat of rhythm whose formative power was developed for the representation of Apollinian states . The music of Apollo was Doric architectonics in tones , but in tones that ...
... Apollinian art , it was so , strictly speaking , only as the wave beat of rhythm whose formative power was developed for the representation of Apollinian states . The music of Apollo was Doric architectonics in tones , but in tones that ...
Pagina 113
... Apollinian world that of the barbarians . Because of his titanic love for man , Prome- theus must be torn to pieces ... Apollinian Greek ; while at the same time he could not con- ceal from himself that he , too , was inwardly related to ...
... Apollinian world that of the barbarians . Because of his titanic love for man , Prome- theus must be torn to pieces ... Apollinian Greek ; while at the same time he could not con- ceal from himself that he , too , was inwardly related to ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision