A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 73
An Anthology Melvin Miller Rader. CHAPTER 3 Intuition - Expression BENEDETTO CROCE : Intuition and Expression R. G. COLLINGWOOD : Art as Expression Benedetto Croce ( 1866-1952 ) , the most famous Italian philosopher of this century , was ...
An Anthology Melvin Miller Rader. CHAPTER 3 Intuition - Expression BENEDETTO CROCE : Intuition and Expression R. G. COLLINGWOOD : Art as Expression Benedetto Croce ( 1866-1952 ) , the most famous Italian philosopher of this century , was ...
Pagina 75
... Croce in maintaining that expression and intuition go hand in hand . NOTES 1. For Croce , value is tendency - fulfillment . Value results when the activity un- folds freely ; disvalue , when the activity is hindered , impeded . 2. Benedetto ...
... Croce in maintaining that expression and intuition go hand in hand . NOTES 1. For Croce , value is tendency - fulfillment . Value results when the activity un- folds freely ; disvalue , when the activity is hindered , impeded . 2. Benedetto ...
Pagina 540
... Croce , Benedetto , Aesthetic as Science of Expression and General Linguistic , 2d ed . , London : Macmillan , 1922 . " Aesthetic , " Encyclopedia Brittanica , 14th edition . The Breviary of Aesthetic , Houston , Tex .: Rice Institute ...
... Croce , Benedetto , Aesthetic as Science of Expression and General Linguistic , 2d ed . , London : Macmillan , 1922 . " Aesthetic , " Encyclopedia Brittanica , 14th edition . The Breviary of Aesthetic , Houston , Tex .: Rice Institute ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision