A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 101
... CHRISTOPHER CAUDWELL : Poetry's Dream - Work The intuitionist - expressionists Croce and Collingwood , define art as a kind of lyrical and disinterested vision . Most of the other writers in this volume similarly emphasize the ...
... CHRISTOPHER CAUDWELL : Poetry's Dream - Work The intuitionist - expressionists Croce and Collingwood , define art as a kind of lyrical and disinterested vision . Most of the other writers in this volume similarly emphasize the ...
Pagina 103
... Christopher St. John Sprigg , who wrote under the pen name of Christopher Caudwell ( 1907-1937 ) . An amazingly productive genius ( he had published five books on aeronautics , seven detective novels , and both poems and short stories ...
... Christopher St. John Sprigg , who wrote under the pen name of Christopher Caudwell ( 1907-1937 ) . An amazingly productive genius ( he had published five books on aeronautics , seven detective novels , and both poems and short stories ...
Pagina 136
... CHRISTOPHER CAUDWELL Poetry's Dream - Work $ 1 Dream is neither directed thinking nor directed feeling , but free - that is non - social - association . Hence the associations of dream are personal and can only be understood by ...
... CHRISTOPHER CAUDWELL Poetry's Dream - Work $ 1 Dream is neither directed thinking nor directed feeling , but free - that is non - social - association . Hence the associations of dream are personal and can only be understood by ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision