A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina iii
... Bell for British Empire rights to reprint from Art by Clive Bell . The Clarendon Press , Oxford , for permission to reprint from The Principles of Art by R. G. Collingwood , 1938 ; and from On the Aesthetic Education of Man by Freidrich ...
... Bell for British Empire rights to reprint from Art by Clive Bell . The Clarendon Press , Oxford , for permission to reprint from The Principles of Art by R. G. Collingwood , 1938 ; and from On the Aesthetic Education of Man by Freidrich ...
Pagina 224
... Clive Bell ( 1881-1964 ) . Their ideas were greatly influenced by " the Bloomsbury circle , " a group of intimate friends , including the philosopher G. E. Moore , the economist John Maynard Keynes , and the novelist Virginia Woolf . A ...
... Clive Bell ( 1881-1964 ) . Their ideas were greatly influenced by " the Bloomsbury circle , " a group of intimate friends , including the philosopher G. E. Moore , the economist John Maynard Keynes , and the novelist Virginia Woolf . A ...
Pagina 228
An Anthology Melvin Miller Rader. I THE ESTHETIC HYPOTHESIS CLIVE BELL Significant Form The starting - point for all systems of esthetics must be the personal experi- ence of a peculiar emotion . The objects ... Clive Bell: Significant Form.
An Anthology Melvin Miller Rader. I THE ESTHETIC HYPOTHESIS CLIVE BELL Significant Form The starting - point for all systems of esthetics must be the personal experi- ence of a peculiar emotion . The objects ... Clive Bell: Significant Form.
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision