A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 369
... Distance as the psychological formulation of the antirealism of Art : naturalistic and idealistic Art . 5. Distance as applied to the antithesis " sensual " and “ spiritual . " 6. Distance as applied to the antithesis " individualistic ...
... Distance as the psychological formulation of the antirealism of Art : naturalistic and idealistic Art . 5. Distance as applied to the antithesis " sensual " and “ spiritual . " 6. Distance as applied to the antithesis " individualistic ...
Pagina 373
... Distance . If this be taken as a typical case , it follows that the qualification required is that the coincidence should be as complete as is compatible with maintaining Distance . The jealous spectator of Othello will indeed ...
... Distance . If this be taken as a typical case , it follows that the qualification required is that the coincidence should be as complete as is compatible with maintaining Distance . The jealous spectator of Othello will indeed ...
Pagina 374
... Distance , whether due to the one or the other , means loss of esthetic appreciation . In short , Distance may be said to be variable both according to the distancing - power of the individual , and according to the character of the ...
... Distance , whether due to the one or the other , means loss of esthetic appreciation . In short , Distance may be said to be variable both according to the distancing - power of the individual , and according to the character of the ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision