A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 102
... Freud is no . The unrest of desire necessarily involves pain or unpleasure , and the appeasement of desire involves pleasure ; these are , in a sense , phases of volition . His theory might be called hedonistic voluntarism . In his ...
... Freud is no . The unrest of desire necessarily involves pain or unpleasure , and the appeasement of desire involves pleasure ; these are , in a sense , phases of volition . His theory might be called hedonistic voluntarism . In his ...
Pagina 541
... Freud and the Image of Man , " Partizan Review 23 ( 1956 ) . Burke , Kenneth , " Freud and the Analysis of Poetry , " Philosophy of Literary Form , rev . ed . , New York : Random House , 1957 . A Grammar of Motives , New York : Prentice ...
... Freud and the Image of Man , " Partizan Review 23 ( 1956 ) . Burke , Kenneth , " Freud and the Analysis of Poetry , " Philosophy of Literary Form , rev . ed . , New York : Random House , 1957 . A Grammar of Motives , New York : Prentice ...
Pagina 542
... Freud : An Art - Historical Study , " Journal of the History of Ideas 17 ( 1956 ) . Schneider , Daniel E. , The Psychoanalyst and the Artist , New York : Farrar , Straus , 1950 . Stekel , Wilhelm , " Poetry and Neurosis ...
... Freud : An Art - Historical Study , " Journal of the History of Ideas 17 ( 1956 ) . Schneider , Daniel E. , The Psychoanalyst and the Artist , New York : Farrar , Straus , 1950 . Stekel , Wilhelm , " Poetry and Neurosis ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision