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Pagina 102
The answer of Freud is no. The unrest of desire necessarily involves pain or
unpleasure, and the appeasement of desire involves pleasure; these are, in a
sense, phases of volition. His theory might be called hedonistic voluntarism.
The answer of Freud is no. The unrest of desire necessarily involves pain or
unpleasure, and the appeasement of desire involves pleasure; these are, in a
sense, phases of volition. His theory might be called hedonistic voluntarism.
Pagina 541
Baudouin, Charles, Psycho-Analysis and Aesthetics, New York: Dodd, Mead,
1924. Bodkin, A. M., "The Relevance of Psycho- Analysis to Art Criticism," British
Journal of Psychology 2.5 (1924-1925). Bruner, Jerome S., "Freud and the Image
of ...
Baudouin, Charles, Psycho-Analysis and Aesthetics, New York: Dodd, Mead,
1924. Bodkin, A. M., "The Relevance of Psycho- Analysis to Art Criticism," British
Journal of Psychology 2.5 (1924-1925). Bruner, Jerome S., "Freud and the Image
of ...
Pagina 542
Surrealism, London: Faber, 1936. Sachs, Hanns, The Creative Unconscious,
Cambridge, Mass.: Sci-Art Publishers. 1942. Schapiro, Meyer, "Leonardo and
Freud: An Art- Historical Study," Journal of the History of Ideas 17 (1956).
Schneider.
Surrealism, London: Faber, 1936. Sachs, Hanns, The Creative Unconscious,
Cambridge, Mass.: Sci-Art Publishers. 1942. Schapiro, Meyer, "Leonardo and
Freud: An Art- Historical Study," Journal of the History of Ideas 17 (1956).
Schneider.
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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