A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 108
... Greek - in a deeper sense than that in which modern man , speaking of his dreams , ventures to compare himself with Shakespeare . On the other hand , we need not conjecture regarding the immense gap which separates the Dionysian Greek ...
... Greek - in a deeper sense than that in which modern man , speaking of his dreams , ventures to compare himself with Shakespeare . On the other hand , we need not conjecture regarding the immense gap which separates the Dionysian Greek ...
Pagina 474
... Greek mythology was not only the arsenal of Greek art , but also the very ground from which it had sprung . Is the view of nature and of social relations which shaped Greek imagination and Greek [ art ] possible in the age of automatic ...
... Greek mythology was not only the arsenal of Greek art , but also the very ground from which it had sprung . Is the view of nature and of social relations which shaped Greek imagination and Greek [ art ] possible in the age of automatic ...
Pagina 462
... Greek mythology was not only the arsenal of Greek art , but also the very ground from which it had sprung . Is the view of nature and of social relations which shaped Greek imagination and Greek [ art ] possible in the age of automatic ...
... Greek mythology was not only the arsenal of Greek art , but also the very ground from which it had sprung . Is the view of nature and of social relations which shaped Greek imagination and Greek [ art ] possible in the age of automatic ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision