A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 104
... read as a supplement to the present chapter . NOTES 1. Friedrich Nietzsche , The Twilight of the Idols ( Macmillan ; New York , 1924 ) , p . 79 . 2. Herbert Read , Art and Society ( Pantheon Books , New York , 1945 ) , p . 92 ...
... read as a supplement to the present chapter . NOTES 1. Friedrich Nietzsche , The Twilight of the Idols ( Macmillan ; New York , 1924 ) , p . 79 . 2. Herbert Read , Art and Society ( Pantheon Books , New York , 1945 ) , p . 92 ...
Pagina 462
... Herbert Read writes : 465 Raphael is exactly the kind of philosopher of art that the world most needs— a man of great scholarship and equal sensibility , a man who believed in the future but realized that the world is changing and must ...
... Herbert Read writes : 465 Raphael is exactly the kind of philosopher of art that the world most needs— a man of great scholarship and equal sensibility , a man who believed in the future but realized that the world is changing and must ...
Pagina 547
... Herbert Read ) . Brion , Marcel , " Abstract Art , " Diogenes 24 ( 1958 ) . Carpenter , Rhys , The Esthetic Basis of Greek Art , rev . ed . , Bloomington : Indi- ana University Press , 1959 ( on fusion of form and subject matter ) ...
... Herbert Read ) . Brion , Marcel , " Abstract Art , " Diogenes 24 ( 1958 ) . Carpenter , Rhys , The Esthetic Basis of Greek Art , rev . ed . , Bloomington : Indi- ana University Press , 1959 ( on fusion of form and subject matter ) ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision