A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 536
... A. , and Cahn , Steven M. ( eds . ) , Philosophy of Art and Aesthetics : From Plato to Wittgenstein , New York : Harper ... Richards , I. A. , and Wood , James , The Foundations of Aesthetics , 2d ed . , New York : Lear , 1948 ( short ...
... A. , and Cahn , Steven M. ( eds . ) , Philosophy of Art and Aesthetics : From Plato to Wittgenstein , New York : Harper ... Richards , I. A. , and Wood , James , The Foundations of Aesthetics , 2d ed . , New York : Lear , 1948 ( short ...
Pagina 538
... A Source Book by Artists and Critics , Berkeley and Los Angeles : Uni- versity of California Press , 1969 ( con- tains ... Richards , I. A. , Coleridge on Imagination , New York : Harcourt Brace Jovanovich , 1935 . Principles of Literary ...
... A Source Book by Artists and Critics , Berkeley and Los Angeles : Uni- versity of California Press , 1969 ( con- tains ... Richards , I. A. , Coleridge on Imagination , New York : Harcourt Brace Jovanovich , 1935 . Principles of Literary ...
Pagina 555
... A. , " The New Critics and the Historical Method , " Yale Review 43 ( 1954-1955 ) . Pratt , Carroll C. , " The Stability of ... Richards , I. A. , Practical Criticism , New York : Harcourt Brace Jovanovich , 1929 . Principles of Literary ...
... A. , " The New Critics and the Historical Method , " Yale Review 43 ( 1954-1955 ) . Pratt , Carroll C. , " The Stability of ... Richards , I. A. , Practical Criticism , New York : Harcourt Brace Jovanovich , 1929 . Principles of Literary ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision