A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 17
... John Hospers ( Chapter 10 ) , in his judicious account of the esthetic attitude , remarked that Bullough's discussion of " psychical distance " ( Chapter 10 ) is so full of ambiguities as to " render the use of the term ' distance ...
... John Hospers ( Chapter 10 ) , in his judicious account of the esthetic attitude , remarked that Bullough's discussion of " psychical distance " ( Chapter 10 ) is so full of ambiguities as to " render the use of the term ' distance ...
Pagina 200
... John Hospers , " Expression , " Proceedings of the Aristotelian Society , Vol . LV . See this paper for a good discussion of expression . 9. R. G. Collingwood , The Principles of Art ( Oxford : Oxford University Press , 1938 ) , p . 24 ...
... John Hospers , " Expression , " Proceedings of the Aristotelian Society , Vol . LV . See this paper for a good discussion of expression . 9. R. G. Collingwood , The Principles of Art ( Oxford : Oxford University Press , 1938 ) , p . 24 ...
Pagina 403
... between viewing aesthetically and nonaesthetically becomes strictly a motivational distinc- tion , not a perceptual one . -The Encyclopedia of Philosophy ( 1967 ) CHAPTER 11 The Response of the Critic JOHN KEMP : John Hospers 403.
... between viewing aesthetically and nonaesthetically becomes strictly a motivational distinc- tion , not a perceptual one . -The Encyclopedia of Philosophy ( 1967 ) CHAPTER 11 The Response of the Critic JOHN KEMP : John Hospers 403.
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision