A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina iii
... Morris Weitz for permission to reprint " The Role of Theory in Aesthetics " by Morris Weitz , The Journal of Aesthetics and Art Criticism , Vol . 15 ( 1956 ) . Art International and Clement Greenberg for permission to reprint ...
... Morris Weitz for permission to reprint " The Role of Theory in Aesthetics " by Morris Weitz , The Journal of Aesthetics and Art Criticism , Vol . 15 ( 1956 ) . Art International and Clement Greenberg for permission to reprint ...
Pagina 510
... MORRIS WEITZ The Role of Theory in Esthetics Theory has been central in esthetics and still the preoccupation of the philosophy of art . Its main avowed concern remains the ... Morris Weitz: The Role of Theory in Esthetics.
... MORRIS WEITZ The Role of Theory in Esthetics Theory has been central in esthetics and still the preoccupation of the philosophy of art . Its main avowed concern remains the ... Morris Weitz: The Role of Theory in Esthetics.
Pagina 527
... Morris Weitz's use of the latter argument that I shall now turn . In " The Role of Theory in Aesthetics " Professor Weitz places his primary emphasis on the fact that art forms are not static . From this fact he argues that it is futile ...
... Morris Weitz's use of the latter argument that I shall now turn . In " The Role of Theory in Aesthetics " Professor Weitz places his primary emphasis on the fact that art forms are not static . From this fact he argues that it is futile ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision