Dall'interno del libro
Risultati 1-3 di 18
Pagina iii
9 (1950-1951); "Art and the Language of Emotions" by Curt J. Ducasse, The
Journal of Aesthetics and Art Criticism, Vol. 22 (1964); and Morris Weitz for
permission to reprint "The Role of Theory in Aesthetics" by Morris Weitz, The
Journal of ...
9 (1950-1951); "Art and the Language of Emotions" by Curt J. Ducasse, The
Journal of Aesthetics and Art Criticism, Vol. 22 (1964); and Morris Weitz for
permission to reprint "The Role of Theory in Aesthetics" by Morris Weitz, The
Journal of ...
Pagina 3
Many unnecessary disputes, as Morris Weitz has suggested, can be avoided if
esthetic labels are not pasted in one piece on the whole body of art, but rather
are applied separately to the various constituents of the creative process, the
esthetic ...
Many unnecessary disputes, as Morris Weitz has suggested, can be avoided if
esthetic labels are not pasted in one piece on the whole body of art, but rather
are applied separately to the various constituents of the creative process, the
esthetic ...
Pagina 546
Weitz, Morris, Philosophy of the Arts, Cambridge, Mass.: Harvard University Press
, 1950, Chap. 7. Esthetic Surface and Sensory Materials Bowers, David F., "The
Role of Subject- Matter in Art,". Aiken, Henry, "Art as Expression and Surface," ...
Weitz, Morris, Philosophy of the Arts, Cambridge, Mass.: Harvard University Press
, 1950, Chap. 7. Esthetic Surface and Sensory Materials Bowers, David F., "The
Role of Subject- Matter in Art,". Aiken, Henry, "Art as Expression and Surface," ...
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Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract action activity appear appreciation artist associations beauty become called character characteristic color common complete concept consciousness created criticism defined definition desire direct Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling function give Greek hand human ideas imagination important individual interest intuition kind knowledge language less lines live look material matter means merely mind moral movement nature never object observe organization original painting particular perceived perception person philosophical physical picture play pleasure poem poet poetry possible practical present principle problem produce pure question reality reason reference relation seems sense shape significance similar simply social sound speak structure style symbol theory things thought tion true truth understand unity whole wish
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